29/22
Starring Graham Norton and Guest: Nicole Kidman / Cynthia Erivo / James Norton / Chris McClausland / Benson Boone (2024)
Plot
A powerful CEO embarks on a whirlwind romance with her much younger intern, her career, and her family. Jean Reno filmed scenes for the film, but they were cut entirely from the final film. I recently watched Babygirl and I have to say that it is one of the most unique and daring thrillers I have seen in recent memory.
First of all, the visuals are stunning
Directed by Halina Reijn, the film delves deeply into the complexity of human desire and power dynamics, wrapped in an intense, almost suffocating atmosphere. Jasper Wolff’s cinematography captures the raw emotion of each scene, combining light and shadow to create a moody, almost dreamlike world. There is a constant sense of tension, as if something explosive is always on the verge, and the pace keeps you on your toes.
But Babygirl isn’t for everyone
Nicole Kidman gives a wonderful performance, bringing a mix of vulnerability and cold calculation to her character. The supporting cast, while lesser-known, also do a great job, adding depth and unpredictability to the story. Without giving too much away, the film’s exploration of psychological control and subjugation is unsettling and fascinating.
It’s scary, stylish, and will keep you thinking long after the credits roll
Its erotic elements are tastefully done, but some viewers may find them uncomfortable or contradictory. The plot feels deliberately vague at times, forcing you to piece together the characters’ motivations, which I found intriguing but may disappoint others. Overall, if you like psychological thrillers that don’t shy away from taboo subjects or push the envelope, Babygirl is definitely worth a look.